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Of course, there were artists who lived and worked before and during the Middle Ages, but their work was pretty flat. Depth was achieved by overlapping images within paintings and stained glass images. This was a very Christian period in Europe, so most of the images we find are devoted to the promotion of this philosophy. In the image below, notice how size and position (including overlapping) were used to achieve the illusion of depth and distance: Detail from Adoration of the Magi, ca. 1390 Austrian; From the Schlosskapelle, Ebreichsdorf, Austria Perspective came of age at the time of Dante, in Italy during the late Middle Ages and pre-Renaissance period.

Round letters like "e" and "o" normally "dent" a baseline, pointed letters like "v" and "w" normally pierce it. " Many of the letters, like "a, d, o, t, b, and e," dent the baseline. Even the "m" and "h" dent the line a bit, because the serif is curved. The "g" extends beyond the baseline. The font size is from baseline to baseline, and this means that the line is the same size as the face size. If you want "breathing room" between text lines, the line space must be larger than the type size. The serif typeface has "those little things" that hang off the edges of the type.

7. We [English-speaking viewers] read from left to right We [English-speaking viewers] start at the top and work down the page Pages in a publication are related to each other Closeness connects while distance separate Big and dark is important; small and light is less important Fullness should be balanced with emptiness Everything has a shape, including emptiness [The Elements of Graphic Design (New York: Allworth Press, 2002), p. 71] White repeats what I said above (for the English-speaking public): headings, text boxes, photos, and illustrations are all shapes within a space.

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